{"id":1628,"date":"2026-07-21T11:13:16","date_gmt":"2026-07-21T09:13:16","guid":{"rendered":"https:\/\/revistadonostia.com\/?p=1628"},"modified":"2026-07-21T11:13:16","modified_gmt":"2026-07-21T09:13:16","slug":"un-viaje-sin-retorno-llega-a-donosti","status":"publish","type":"post","link":"https:\/\/revistadonostia.com\/en\/2026\/07\/21\/un-viaje-sin-retorno-llega-a-donosti\/","title":{"rendered":"\u00abUn viaje sin retorno\u00bb llega a Donosti"},"content":{"rendered":"<div><b>Un viaje sin retorno<\/b> es una funci\u00f3n que habla sobre la vida de dos c\u00f3micos itinerantes en la Espa\u00f1a de los a\u00f1os cincuenta. Narra la historia de Chelito y Federico, dos an\u00f3nimos que, por un giro inesperado del destino, terminan inmersos en el mundo del espect\u00e1culo. Lo que comienza como una oportunidad se transforma en un recorrido marcado por la supervivencia, las renuncias y las contradicciones del \u00e9xito. Una obra que combina emoci\u00f3n, humor y m\u00fasica para reflexionar sobre el precio del \u00e9xito, los sue\u00f1os y las decisiones que cambian una vida para siempre.<\/div>\n<div><\/div>\n<div>Bajo la\u00a0<b>direcci\u00f3n de Ernesto Caballero<\/b>, la funci\u00f3n propone un viaje teatral donde la m\u00fasica de la \u00e9poca acompa\u00f1a una historia profundamente humana, construida desde la emoci\u00f3n y con una mirada contempor\u00e1nea sobre la ambici\u00f3n, la identidad y el coste de perseguir los propios sue\u00f1o.<\/div>\n<div><\/div>\n<div><a href=\"https:\/\/www.donostiakultura.eus\/es\/agenda\/un-viaje-sin-retorno-es\">Del 30 de julio al 2 de agosto en el Teatro Principal<\/a><\/div>\n<div><\/div>\n<div><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1629\" data-permalink=\"https:\/\/revistadonostia.com\/en\/2026\/07\/21\/un-viaje-sin-retorno-llega-a-donosti\/mgp09399-marcosgpunto\/\" data-orig-file=\"https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?fit=2560%2C1706&amp;ssl=1\" data-orig-size=\"2560,1706\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;marcosGpunto&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"MGP09399 \u00a9 marcosGpunto\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?fit=1024%2C683&amp;ssl=1\" class=\"alignright size-full wp-image-1629\" src=\"https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=1080%2C720&#038;ssl=1\" alt=\"MGP09399 \u00a9 marcosGpunto\" width=\"1080\" height=\"720\" srcset=\"https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?w=2560&amp;ssl=1 2560w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=18%2C12&amp;ssl=1 18w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=1080%2C720&amp;ssl=1 1080w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=1280%2C853&amp;ssl=1 1280w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=980%2C653&amp;ssl=1 980w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?resize=480%2C320&amp;ssl=1 480w, https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP09399-%C2%A9-marcosGpunto-scaled.jpg?w=2160&amp;ssl=1 2160w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/div>","protected":false},"excerpt":{"rendered":"<p>Un viaje sin retorno es una funci\u00f3n que habla sobre la vida de dos c\u00f3micos itinerantes en la Espa\u00f1a de los a\u00f1os cincuenta. Narra la historia de Chelito y Federico, dos an\u00f3nimos que, por un giro inesperado del destino, terminan inmersos en el mundo del espect\u00e1culo. Lo que comienza como una oportunidad se transforma en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1630,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[14],"tags":[98],"class_list":["post-1628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-cultura"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9TyBN-qg","jetpack-related-posts":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/revistadonostia.com\/wp-content\/uploads\/2026\/07\/MGP08982-%C2%A9-marcosGpunto-scaled.jpg?fit=2560%2C1706&ssl=1","_links":{"self":[{"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/posts\/1628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/comments?post=1628"}],"version-history":[{"count":1,"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/posts\/1628\/revisions"}],"predecessor-version":[{"id":1631,"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/posts\/1628\/revisions\/1631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/media\/1630"}],"wp:attachment":[{"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/media?parent=1628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/categories?post=1628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistadonostia.com\/en\/wp-json\/wp\/v2\/tags?post=1628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}